{"id":105,"date":"2019-11-23T15:44:30","date_gmt":"2019-11-23T14:44:30","guid":{"rendered":"https:\/\/acligphoto.fr\/?p=105"},"modified":"2019-11-23T22:19:09","modified_gmt":"2019-11-23T21:19:09","slug":"exposition-a-la-chambre","status":"publish","type":"post","link":"https:\/\/acligphoto.fr\/?p=105","title":{"rendered":"Exposition \u00e0 La Chambre"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">La Moiti\u00e9 du Monde\u2026<\/h2>\n\n\n\n<h5 class=\"wp-block-heading\">Collections du centre national des arts plastiques<\/h5>\n\n\n\n<h6 class=\"wp-block-heading\">18.10 \u2013 22.12.19<\/h6>\n\n\n\n<p>Dans le cadre des 10 ans du R\u00e9seau Diagonal, qui f\u00e9d\u00e8re des actions \nsimultan\u00e9es de ses membres autour du th\u00e8me commun de l\u2019engagement, La \nChambre propose une exposition qui questionne la repr\u00e9sentation de la \nfemme en photographie, mais aussi son regard en tant qu\u2019artiste.<br>\nSujet in\u00e9puisable, le corps f\u00e9minin est soumis \u00e0 toutes les projections,\n toutes les influences de l\u2019\u00e9poque. Il est tiraill\u00e9 entre convenances, \ntraditions, modes et aspiration \u00e0 la libert\u00e9, voire \u00e0 la r\u00e9bellion. Si \nle sujet n\u2019est pas nouveau, il reste n\u00e9anmoins d\u2019actualit\u00e9 \u00e0 l\u2019heure o\u00f9 \nl\u2019\u00e9galit\u00e9 des genres est au c\u0153ur de nombreux d\u00e9bats. Les \u0153uvres \npr\u00e9sent\u00e9es, r\u00e9alis\u00e9es entre les ann\u00e9es 1980 et nos jours, mettent en \nperspective les enjeux successifs attach\u00e9s \u00e0 ce corps physique et \nsocial, dans des p\u00e9riodes mais aussi des r\u00e9gions du monde diff\u00e9rentes.<br>\nAinsi, des photographes femmes (\u00e0 une exception masculine pr\u00e8s) abordent\n des sujets qui s\u2019entrechoquent dans tous les paradoxes et les \nmanifestes de la condition f\u00e9minine, de la maternit\u00e9 \u00e0 la violence, du \nconditionnement soci\u00e9tal \u00e0 l\u2019\u00e9mancipation des canons de beaut\u00e9.<br>\nUne petite contribution pour rem\u00e9dier \u00e0 la sous-repr\u00e9sentation des \nfemmes \u2013 la moiti\u00e9 du monde \u2013 en tant qu\u2019artistes et au r\u00e9\u00e9quilibrage de\n leur image souvent forg\u00e9e par l\u2019autre sexe.<\/p>\n\n\n\n<p>Avec des \u0153uvres de :<br> G\u00e9raldine Millo, Zoe Leonard, Shirin Neshat, ORLAN, Alexandra Boulat, Fr\u00e9d\u00e9ric Cornu,<br> Jane Evelyn Atwood<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>La Chambre <\/strong><br>4 place d\u2019austerlitz <br>f-67000 strasbourg <br>&nbsp;<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Moiti\u00e9 du Monde\u2026 Collections du centre national des arts plastiques 18.10 \u2013 22.12.19 Dans le cadre des 10 ans du R\u00e9seau Diagonal, qui f\u00e9d\u00e8re des actions simultan\u00e9es de ses membres autour du th\u00e8me commun de l\u2019engagement, La Chambre propose une exposition qui questionne la repr\u00e9sentation de la femme en photographie, mais aussi son regard&#8230; <\/p>\n<div class=\"link-more\"><a href=\"https:\/\/acligphoto.fr\/?p=105\">Lire plus<\/a><\/div>\n","protected":false},"author":1,"featured_media":106,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-105","post","type-post","status-publish","format-image","has-post-thumbnail","hentry","category-exposition","post_format-post-format-image"],"_links":{"self":[{"href":"https:\/\/acligphoto.fr\/index.php?rest_route=\/wp\/v2\/posts\/105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acligphoto.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acligphoto.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acligphoto.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/acligphoto.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=105"}],"version-history":[{"count":3,"href":"https:\/\/acligphoto.fr\/index.php?rest_route=\/wp\/v2\/posts\/105\/revisions"}],"predecessor-version":[{"id":112,"href":"https:\/\/acligphoto.fr\/index.php?rest_route=\/wp\/v2\/posts\/105\/revisions\/112"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acligphoto.fr\/index.php?rest_route=\/wp\/v2\/media\/106"}],"wp:attachment":[{"href":"https:\/\/acligphoto.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acligphoto.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acligphoto.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}